November Afternoon
***to listen to the piece, scroll down to the bottom of the page!
November Afternoon (composed and arranged by Mckenna Reeve) is a melancholy ballad in the style of Billy Strayhorn/Duke Ellington's "Blood Count." Originally written for the composer's friend and colleague Ted Davies, this piece is an excellent feature for your prodigious lead alto player. This chart would be ideal for a strong high school or college ensemble.
The instrumentation is 4 tpt/4 bone/5 saxes/full rhythm, no doubles for saxes. Solo changes are in the lead alto part, the highest lead trumpet note is Bb5, and lead bone's highest note is Gb4. Rhythm section parts are as follows: piano part is entirely written out, guitar part has slashes and chords and single line parts, bass has chord symbols and a sample bass line, drums has slashes and rhythm cues.
Included:
-11x17 transposed score PDF
-8.5x11 PDF parts
-mp3 reference recording (hybrid MIDI and live)
***to listen to the piece, scroll down to the bottom of the page!
November Afternoon (composed and arranged by Mckenna Reeve) is a melancholy ballad in the style of Billy Strayhorn/Duke Ellington's "Blood Count." Originally written for the composer's friend and colleague Ted Davies, this piece is an excellent feature for your prodigious lead alto player. This chart would be ideal for a strong high school or college ensemble.
The instrumentation is 4 tpt/4 bone/5 saxes/full rhythm, no doubles for saxes. Solo changes are in the lead alto part, the highest lead trumpet note is Bb5, and lead bone's highest note is Gb4. Rhythm section parts are as follows: piano part is entirely written out, guitar part has slashes and chords and single line parts, bass has chord symbols and a sample bass line, drums has slashes and rhythm cues.
Included:
-11x17 transposed score PDF
-8.5x11 PDF parts
-mp3 reference recording (hybrid MIDI and live)
***to listen to the piece, scroll down to the bottom of the page!
November Afternoon (composed and arranged by Mckenna Reeve) is a melancholy ballad in the style of Billy Strayhorn/Duke Ellington's "Blood Count." Originally written for the composer's friend and colleague Ted Davies, this piece is an excellent feature for your prodigious lead alto player. This chart would be ideal for a strong high school or college ensemble.
The instrumentation is 4 tpt/4 bone/5 saxes/full rhythm, no doubles for saxes. Solo changes are in the lead alto part, the highest lead trumpet note is Bb5, and lead bone's highest note is Gb4. Rhythm section parts are as follows: piano part is entirely written out, guitar part has slashes and chords and single line parts, bass has chord symbols and a sample bass line, drums has slashes and rhythm cues.
Included:
-11x17 transposed score PDF
-8.5x11 PDF parts
-mp3 reference recording (hybrid MIDI and live)